- By Janine Saunders for Radar (September 1st, 2010)
Unnatural History recaptures rare moments in time, both past and present. The project consists of still photos, taken of rebuilt miniature scenes. Some scenes recreate natural disasters while others capture a natural history seen within museums at time where history and science didn’t see eye to eye. The end result tricks the viewer into believing they are seeing life size scenes, instead of the miniature dioramas that they really are.
Relevant sites:
www.lorinix.net
Credits:
CREATED by Lance Weiler & Alex Johnson
DIRECTOR Josh Cramer
EDITOR Jawad Metni
DP Jarin Blaschke
SEGMENT PRODUCER Janine Saunders
TITLE SEQUENCE Jordan Gray
POST PRODUCTION House of Trim
ADDITIONAL MUSIC by:
Pinback “Loro”
Morningbells “Octopus”
Saxon Shores “This Shameless Moment”
Read the rest of Unnatural History – RADAR S3 Ep 33 [vid]
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RADAR ep photography season 3
Janine Saunders is a producer, media collaborator, and DJ living in NYC. She has worked as a producer since a very early age, in music, video and publishing. She has worked closely with writer/ documentarian/ graphic novelist Douglas Rushkoff, and directed and edited Life Inc: The Movie.
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- By Tim Farrell for Radar (August 31st, 2010)
Jason Polan is truly, the new wave of Renaissance Man. Michigan born, Jason moved to New York City and quickly made himself an institution. It began, with a New Yorker Cartoon that ran March 6th of 2006. By the next year, Jason had begun a multitude of projects. First, there was the Taco Bell Drawing club. This is where at first – Jason and a few friends would simply meet up and do some drawing at a Taco Bell restaurant. Now, this has spread all across the country. They even have tote bags. At the same time he started The Hand Project, a series in which he photocopied his hand in different positions which he then sold for 20 dollars a piece. However for a considerably larger sum Jason will come to your house, shake your hand, write up a certificate of authenticity for the encounter, and take a photo of the two of you with the certificate.
Now Jason has taken it upon himself to draw every single person in New York. A daunting task to most so Jason made it easier for all of us. Using a regular email account anyone can send a message directly to&hellip
Read the rest of PULSE – Every Person in New York
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Pulse comic storytelling street art
Tim Farrell hails from good ol’ Sleepy Hollow, NY, but moved to Astoria 5 years ago, and swears he’ll never leave. Whether it’s A.C.-ing, Gripping or P.M.-ing Tim is a true production guy at heart. Tim also enjoys writing when he needs a break from production.
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- By Mark Harris for New Breed (August 31st, 2010)
This is going to be basically a four part series on how we are going to try using WordPress to manage the storyworld of our project THE LOST CHILDREN. I’m hoping to deliver these parts about once a week. Might be a little off, since things with the film are very busy, but in general I am trying to document what we’re actually doing for the film as we go. I wrote a previous post about how to use WordPress to feed data to your mobile apps. In a sense, this is a follow-up to that post. Or more accurately, it is a prelude to that post. In part 3 of this series, I will loop back around to that JSON post and show you how it ties in with these.
Organizing Our Data
The first thing I need to say is I am no expert on Transmedia or ARGs or anything like that. There are many other people who are. So this post is not meant as me preaching The Truth down from on high. This post is meant as an exploration of what I am working on now, in the hopes that it sparks some others’ imaginations. In&hellip
Read the rest of Managing THE LOST CHILDREN Storyworld with WordPress: Part 1
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The Lost Children storytelling transmedia
Mark Harris has been producing movies for a while now. He did an online comedy series, called Man-Hole, then started gravitating toward genre films. He loves horror, sci-fi, and noir. Most of his movies reveal those influences. The Lost Children is Mark’s first feature film.
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