TCIBR podcast – Culture wants to be free
Nina Paley wants you to see her film which is exactly what most filmmakers desire. But the way in which Paley is releasing her debut feature Sita Sings the Blues is a bit different. She wants to give it to you for free via a creative commons license. In fact she is encouraging her audience to take and distribute the work and if they profit she just asks that they share some of the revenue. As Paley experiments with a free hybrid model that also includes a paying theatrical release (which was landed after her theatrical distributors saw the demand for Sita) she intends to be open and transparent about her findings. In our discussion we cover a range of topics – music clearance, copyright, how culture wants to be free, and turning your audience into distribution hubs.
Related:
Understanding Free Content

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If you like Sita Sings The Blues watch AUTOMATONS at http://bit.ly/grLBz for free
[...] Theory by Noah on June 6, 2009 I just listened to Lance Weiler’s most recent podcast of This Conference Is Being Recorded. It was an interview with Nina Paley, the creator (I use creator since she is the writer, director, [...]
[...] on by this podcast and this article Happy Warriors will be asking for input from fans (!?) on a range of production [...]
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#hoard »
HOARDABILITY: music, compression, conferences, and drama
:: SITES
WHAT: Where music goes film follows. The music industry has been ahead of the film industry for years – in terms of technology, failed business models, and musicians going direct to audiences. In recent years, discovery has become a major focus (LastFM, Pandora). The Sixty One takes discovery a step further by combining gaming and community to create an addictive social discovery mechanism for music.
WHY: With so much content …
culture hacker »
CULTURE HACKER: Moving Filmmakers to a Transmedia Business Model
By Robert Pratten – I’ve been working with two entertainment properties and a media start-up the past couple of months and I wanted to share the business models I developed to explain where we’re heading.
Here’s what we already know: pulling in an audience is tough but pulling in finance is tougher.
The Old Days
In the “old days” – as shown in Figure 1 – raising finance was what you did …
motive »
MOTIVE: Fractured audience: how to find & appeal to it
Alex Johnson reports – A couple of weeks ago I took part in Power to the Pixel, a three day Digital Distribution & Film Innovation Forum in London. I gave a 15 minute presentation on the following issues: As technology shifts, audiences are evolving at a startling rate. Who are they, where are they, and what are they doing? How does the media producer keep up with and define …
new breed »
NEW BREED: AN OPEN DISCUSSION
The WorkBook Project has joined forces with Filmmaker Magazine to produce a number of daily videos from Park City. The following discussion focuses on the need for a alternative network connecting filmmakers and audiences. Featuring: Peter Baxter, Saskia Wilson-Brown, Brian Newman, Paul Rachman and Lance Weiler.
Filmmakers Zak Forsman and Kevin K. Shah of Sabi Pictures arrive at Park City with an intent to define the questions most relevant …
pollinate »
POLLINATE: All things Audience
Scott Kirsner sent over a couple of links and resources for those wishing to build audiences.
NEW WIKI
Scott has just put up a wiki with some content from the book FANS, FRIENDS AND FOLLOWERS which we covered a few weeks back on TCIBR. The wiki contains useful tools for marketing, outreach, promotion, and commerce. http://powertools.wikispaces.com So make sure to stop by and add to this new growing resource wiki. …
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