By lance weiler, November 9th, 2007

pod.jpg

This edition of TCIBR is brought to you by IndieFlix – Our guest this week is producer and co-founder of Ghost Robot, Zachary Mortensen. Ghost Robot has been producing independent features, shorts, and music videos for the last five years. In our discussion Zach shares his experience with producing, getting the most out of test screenings and the importance of building a solid web presence for your work.

choking.jpg

Special Note: Today Choking Man a recent Ghost Robot production opens theatrically in NYC, LA and Chicago. For more info click here.

poddown.jpg podsub.jpg digpodbutton.gif itunes.gif
To listen NOW click the play button below.

Download Adobe Flash Player.

Download Adobe Flash Player.

  • Share/Bookmark

Posted in audience biz community distro diy doc dvd festivals interview podcast producing production theatrical web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
COMMENTS

  • This is a great list. But I'd add a number 11: Supporting the Local Community Radio Act.

    This is a bill gaining momentum that would put more local radio stations back on the airwaves, giving artists a way to turn people out to shows locally and gain fans again. Since the waves of consolidation that hit the radio industry in the 1990s, the dial sounds the same whether you are in Nashville or Seattle. And it's really hard for artists to get play on mainstream commercial radio. College and community radio stations have continued to serve as a haven for independent musicians. But these stations have been repeatedly limited due to pressure on Congress from commercial broadcasters.

    This could all change if the Local Community Radio Act is passed -- something that our friends at the Future of Music Coalition are great supporters of. You can find out more by checking out this video. (Full disclosure: I work for Free Press -- a non-profit, media reform organization that actively supports this bill. I'm also a musician).

  • I really appreciate artists who go the extra yard to specify which BUY button results in their biggest bang from my buck.
    All contracts are not created equal. Most are practically unreadable, but I actually love the ability to choose between legitimate methods of access, because it feels like a giant step toward conducting transparent commerce. It's not yet a common practice.

blog comments powered by Disqus
  • twitter
  • facebook
  • delicious
  • youtube
  • vimeo

Join the WorkBook Project mailing list - enter your email below...

WORKBOOK PROJECT flickr
DIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall Panel
WORKBOOK PROJECT twitter
READ

There are no events to show at this time.

Podcast Archive