By Lance Weiler, December 17th, 2008

The NEW BREED is expanding with a new blog. But wait there’s much more. We’re pleased to announce that Zak Forsman (IFHY, Heart of Now) will be leading a group of merry DIY filmmakers as they share their experiences from script to screen and beyond. The focus of NEW BREED is to pull back the curtain and share the struggle of what it takes to get work out into the world. The current roster of filmmakers includes Bob Byington, Justin Evans, Chris Jaymes, JJ Lask, Kevin K. Shah, and Todd Sklar.

Checkout a recent post by Justin Evans which details his approach to raising funds for his films.

I’m fairly skilled at raising money. I can’t raise millions, but I can raise $200,000.00 with ease. What I’m surprised by is how rarely independent filmmakers ask how I raise money. Strike that. I’m stunned that I’ve never been asked this question.

So, let me ask the question I wish I’d been asked many times. “How does an independent filmmaker raise $200,000.00 for an independent feature film?”

I’m glad you asked! Here are the basic elements:

1.) Proven expertise verified by an independent third party
2.) Thorough, silicon valley quality business plan
3.) Ethical accounting practices

That’s it. You might say “But, you didn’t say where to find investors.” You are surrounded by them…however, if they aren’t investing in you it isn’t because they lack money. It is because you haven’t given them a reason to invest yet.
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If you know of a project that should participate in NEW BREED contact us zak [@] workbookproject dot com

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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  • After reading this I checked out Evernote in their own words, and I was not surprised to see that they were endorsing the application in somewhat nerdy, generic terms. It sounds like you've really managed to incorporate Evernote into your creative workflow, and I would be curious to get more insight into how you think about what Evernote is doing for you. Is it like an electronic sketchbook, a mindmap? Or is it enabling a unique digital experience that wasn't possible before?

    Would love to get your feedback!
  • Awesome post, Mike! I'm definitely checking out evernote right now. Scheduling is definitely one of my weakest link, so I'm always looking for new ways to manage my time. I've tried to do lists for the iphone, but they don't seem to work for me.

    Handwritten to do lists, however, tend to work wonders -- especially when super-neon colors! I'll make a short specific list (broad never works) and stick it to my writing book I carry. Works well, but sometimes the notes are a little too small in size for the amount of work to do.

    Thanks for the tips! Sounds like Pedal's coming along well!


    -Christopher from down the hall at CultureHacker
    :o)
  • I find that I work very similarly to this and that in fact I need a lot of time and distraction to gain the distance I need to my own work. It all come together in rather unpredictable ways so using these new tools is very helpful. Also I like the low set bar of pressure, I had a daily reminder to write more for me too. Most of the days they were postponed but other days I could haul out several days worth of work at once.
    The problem is still hitting a deadline...
  • The eternal struggle of editing a film. I know this well. I'm working on #3 now and with docs, you have sooooo much footage and a nice general lack of direction. It always takes a long time to log and edit, but then comes the actual edit.

    My suggestion - have to create a good outline; then start cutting rough scenes; get a couple additional editors; get coffee; and plan on lots of all-nighters. When the creative juices are flowing, you have to keep going.
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