By Lance Weiler, April 21st, 2009

Over at the NEW BREED there is a discussion brewing about Managing Expectations on the Festival Circuit. Various NB filmmakers weigh-in on the topic by sharing some of their experiences and opinions around the value of festivals. Last month Zak Forsman (see recent Q&A for more details on Zak) headed to SXSW. He brought along his camera.

Related:
Is There A “Too Many” (When It Comes To Film Festivals)?
How I Learned to Stop Worrying and Love the Festivals

Have an opinion on festivals join the discussion.

  • Share/Bookmark

Posted in new breed

Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

RELATED
COMMENTS

  • Inv1221
    Cutting trailers sounds interesting where can I locate this article
  • I look forward to telling my readers about this article. Having produced a short and struggled with the trailer, this article says it well. People "walk into" your movie already knowing the story...they are intrigued by the "How did they get there?" behind the trailer. You say it beautifully. Carolyn
  • Wow, this is a great article, some really vital information is expressed here. Thanks guys.
  • thanks guys. I should have added one more to the list... DON'T CUT A TRAILER. They are a one way street and do very little to inspire a dialogue with your audience/community.
  • Great post - I'll be bookmarking this for when I start... or I guess, (taking the advice of your post) when I find someone to cut a trailer for the film (since I'm cutting the feature).

    I also agree with Arin... trailers don't do it for me as much as episodes for indie projects - I want more than a trailer, I want to be involved... I want to dig around and see behind the curtain. :)

    These are great tips though - very well thought out post.
  • Zak,

    Nice trailer and great article. The only thing I'd add is that some films might not have all the elements to get people interested via a trailer alone which is why I'm a fan of also having additional content. This is a way to bring people into the story universe with out bringing them into the story just yet. And this deals with that fact that sometimes there are certain story elements that simply can not be in the trailer.

    Another factor here is how spreadable something is. A trailer has to be absolutely insane for a person to forward to a friend. Where as an additional piece of content that is really good and relates to the film might stand a better chance being spreadable because as a stand alone item it might be more relevant. Then once you have that persons attention, maybe they see the trailer while they look more into the project.

    So of course, the answer is both, and when it comes to making trailers, this is the best how to I've seen on getting that done. Keep it up.

    Arin Crumley
  • George
    Good advice.

    I can't believe someone would call their film A LONELY PLACE FOR DYING. Do they offer the one person who's going to see this a razor to slit their wrists? Why not call it THE MOST DEPRESSING MOVIE EVER? Or how about LIFE SUCKS AND THIS MOVIE WILL REMIND YOU WHY. Just change the title! I'm not saying anything about the film.
  • I found this article very informative. Thanks for posting it.
blog comments powered by Disqus
  • twitter
  • facebook
  • delicious
  • youtube
  • vimeo

Join the WorkBook Project mailing list - enter your email below...

WORKBOOK PROJECT flickr
Picture 1.pngDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall PanelDIY Days: Town Hall Panel
WORKBOOK PROJECT twitter
READ

Today

generic (feed #11)
5:25pm via Read Write Web
generic (feed #11)
5:00pm via Read Write Web
generic (feed #10)
4:28pm via Tech Crunch
generic (feed #11)
4:11pm via Read Write Web
generic (feed #17)
4:10pm via Pitchfork
generic (feed #10)
4:08pm via Tech Crunch
generic (feed #10)
4:05pm via Tech Crunch
generic (feed #17)
4:00pm via Pitchfork
generic (feed #7)
3:52pm via FM Blog
generic (feed #12)
3:44pm via Mashable
generic (feed #8)
3:40pm via Hammer To Nail
generic (feed #12)
3:36pm via Mashable
generic (feed #11)
3:32pm via Read Write Web
generic (feed #10)
3:21pm via Tech Crunch
generic (feed #17)
3:10pm via Pitchfork
generic (feed #12)
2:56pm via Mashable
generic (feed #17)
2:55pm via Pitchfork
generic (feed #12)
2:40pm via Mashable
generic (feed #17)
2:35pm via Pitchfork
generic (feed #10)
2:32pm via Tech Crunch
generic (feed #12)
2:21pm via Mashable
generic (feed #10)
2:19pm via Tech Crunch
generic (feed #13)
1:45pm via Tech Liberation
generic (feed #10)
1:22pm via Tech Crunch
generic (feed #9)
1:02pm via TrulyFreeFilm
generic (feed #10)
12:59pm via Tech Crunch
generic (feed #10)
12:48pm via Tech Crunch
generic (feed #11)
12:36pm via Read Write Web
generic (feed #10)
12:27pm via Tech Crunch
generic (feed #10)
12:26pm via Tech Crunch
generic (feed #10)
11:52am via Tech Crunch
Podcast Archive