By Lance Weiler, August 3rd, 2009

This past weekend at DIY DAYS Philadelphia there was a panel about Changes in Creative Collaboration. In an effort to extend the conversation NEW BREED editor Zak Forsman reached out to a number of the NEW BREED contributors and asked them to share their thoughts on the subject of creative collaboration.

Here’s the first in a string of videos from the NEW BREED filmmakers. Make sure to check out vids about As the Dust Settles, The Red Machine and Play with Fire. More on the way.

To get more stories from the front lines of what it takes to get a project from script to screen visit the NEW BREED.

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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COMMENTS

  • Hunter rocks! Zak great SXSW recap! I can't wait to edit my 2008 videos.

    Mike
  • This is an ongoing discussion that I think we've heard before in various contexts. But there is one constant that I think is paramount, and it is this: Make a great film. If you have a great film, all else will follow. If you have a good film or an OK film, but not a great film, maybe making contacts makes the difference, maybe not. Maybe the less than greats are the ones who come and go. There's the old Hollywood saying, "You're only as good as your last film." So, I'm wondering, what is the ratio of having a great film to knowing the right people in gaining success? I'm guessing it's something like a passing grade point average, i.e at least a 2.5 out of 4, but more likely the 'A's make it (or 3.5s and 4.0s), meaning if your film is an A or B on the greatness scale, you can get by with a D on the "who you know" scale. On the other hand, if you know the right people, they might help you to become great, e.g. Marlin Brando (if you know his story). But wouldn't even they need to see greatness in you?
  • Great look behind the festival process guys. I myself have never been to a large scale film festival so I'm sure there are 1,000 mistakes to be made.
  • Allen Green
    Zak,
    very good job and so true.
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