By Jason Hood, October 23rd, 2011

New York-based creative professionals take note! Odds are, you’re familiar with 3rd Ward, the massive workspace in Bushwick full of all sorts of resources, supplies and classes for any creative project that interests you, from woodworking to filmmaking. And if not I just told you the gist of it, so there you go.

But aside from being a great place to learn, create, and promote all sorts of great DIY projects, their newest addition now also makes it a great place to work. Dubbed a “coworking space,” it’s a modern, bright, airy office designed for collaborating as well as solo work, full of shared desks, personal workstations, conference rooms, plenty of brand new iMacs, free wifi and printing, and of course, free coffee. All of it’s designed for any smart creative freelancer, startup or telecommuter who wants to have a place to get their work done while networking with other like-minded people. You can even meet clients and have business mail delivered there.

At the heart of all of this, though, is collaboration. The nice thing about 3rd Ward is that it provides the perfect environment for creativity: step inside and you’re surrounded by people in all sorts of different crafts from all sorts of different backgrounds, and everyone has ideas flowing. A graphic designer may not realize they can get inspiration from a welder until it happens, and these sorts of things happen all the time at 3rd Ward.

And of course, we wouldn’t recommend anything unless we’ve seen and experienced it ourselves; 3rd Ward has given Workbook Project a space to shoot at least one RADAR episode, and we also partnered with them for Inside Design as well.

Learn more about the new coworking space HERE.

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Posted in NYC community creative collaboration cross-media diy

Jason Hood a recent graduate of the University of Texas, he once co-produced Local Live and The Austin Sessions, a radio-slash-TV show and webseries, respectively, that focused on Austin’s famous independent music scene. He’s also directed a number of 16mm short films, and had a diverse and bizarre series of paid jobs ranging from librarian to travel blogger.

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By lance weiler, August 31st, 2008

This edition of TCIBR is brought to you by IndieFlix – Hunter Weeks left a cubical job to embark on a filmmaking career and within a three years has completed two documentaries and is in post on a third. One of the core elements of his strategy is to mix a DIY production and distribution approach with a variety of promotional partners. Hunter and Josh Caldwell his producing partner, have structured numerous partnerships with brands that have created funds for production, post and distribution. In our discussion Hunter shares how he crafts his sponsorship / promotional deals, why he’s bypassing the festival circuit and how his newest doc 10 yards is being released for free online prior to hitting DVD on Sept. 30th.

For more on Hunter and 10 yards visit www.10yards.com

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Posted in BTS audience biz community deals digital downloads distro diy doc dvd online podcast promotion sponsorship web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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  • POV The Value of Cross-Media Storytelling
    I’ve just return from Hot Docs where I participated in a panel of judges for the newly formed Convergence Lab. Created by DocAgora, the lab focuses on a number of projects. The lab brings together producers, filmmakers and interactive designers in an effort to develop cross-media strategies for their projects. Cross-media (the telling of stories across multiple mediums, devices and… read more
  • TCIBR: podcast – KICKSTARTER
    In this edition of TCIBR we sit down with Kickstarter co-founder Yancey Strickler. Kickstarter is a site that enables people with creative projects to connect with those who are interested in donating funds to make them happen. From software projects like Arin Crumley’s OpenIndie to Mike Ambs’ For Thousand Miles, Kickstarter has an interesting mix of projects in search of… read more
  • DIY list #2
    Jennifer Venditti’s directorial debut, BILLY THE KID is a touching and haunting portrait of a small town underdog named Billy. When we saw the doc at SXSW, we were struck by its depiction of teenage angst, love and awkwardness. WHY: The DIY film is currently in limited release in select theaters in a bid for Oscar consideration. For dates… read more
By lance weiler, August 13th, 2008

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This edition of TCIBR is brought to you by IndieFlix – Brian Clark joins us for a discussion about filmmaking, audiences, breaking the rules and the value of going DIY. Founder of GMD studios and co-founder of indieWire, Brian has been at the forefront of the independent film scene for well over a decade. GMD studios has created digital experiments, campaigns and games that flow seamlessly between the virtual world and the real world such as Art of the Heist and Eldritch Errors.

For more on Brian visit GMD studios and indieWire

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Posted in audience audio biz community cross-media crowdsourced distro diy gaming interview online panel podcast promotion remix tech vidsocial web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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By lance weiler, August 7th, 2008

Till now, as independent filmmakers (especially of non-fiction), there have always been gatekeepers between us and our audience. In the UK, they’ve been the primary broadcasting channels. For anything we made to have stood a chance of getting any decent kind of viewership – in essence, to have had any voice at all – a handful of commissioning editors and the whims of their tastes (or the format du jour of those channels) would have to have given their approval. Not only did they have veto over what gets seen, but ultimately – what gets made. And till now we’ve been left with the conundrum of making what they want us to make if we’re going to stand a chance of obtaining audience, or making what we want to make and resigning ourselves to the idea of relative obscurity.

Ultimately, this has made us ‘independent’ filmmakers passive, subservient. And what’s more, it’s totally dictated what audiences expect to see. The entire process has been mediated, and rather than being free to express ourselves, as filmmakers we have become a permission culture waiting for the acceptance of the powerful few.

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Posted in audience distro diy doc pollinate

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
  • DIY list #2
    Jennifer Venditti’s directorial debut, BILLY THE KID is a touching and haunting portrait of a small town underdog named Billy. When we saw the doc at SXSW, we were struck by its depiction of teenage angst, love and awkwardness. WHY: The DIY film is currently in limited release in select theaters in a bid for Oscar consideration. For dates… read more
  • RESOURCE: The Film Finance Handbook
    There is a new resource for those looking for information on ways to fund work. “The Film Finance Handbook – How to Fund Your Film,” provides a comprehensive look at traditional and new models of funding. “With information on funding and tax incentives in over 50 countries, details of more than 1000 funds, a new chapter on the Internet, 400… read more
  • BTS The Road to Park City – sold out screenings
    So, we’ve been in Park City for five days now and my head is spinning. We premiered the film on Saturday and had a great crew in town: Jen Welsh, who plays Kat, Greg Lyons, who plays Jack, my finance Beth, high school pal Tom Bilotta, and Greg’s ECC bandmate, Josh Ostrander. Of course, 10AM on a Saturday is a… read more
By lance weiler, July 29th, 2008

Over the next few days we’ll be posting various videos from the DIY DAYS LA event. The day consisted of a number of keynotes (Robert Greenwald, Marshall Herskovitz), panels (Tommy Pallotta, Femke Wolting, Alex Johnson, Micki Krimmel, Mark Stolaroff, Ondi Timoner, Hunter Weeks, Saskia Wilson-Brown), case studies (M dot Strange, Arin Crumley, Lance Weiler), a series of special video presentations (Matt Hanson, Brett Gaylor, Brian Chirls, Christy Dena, Timo Vuorensola) and a conversation with director Mark Pellington.

diy days M dot Strange, Hunter Weeks and Ondi Timoner – photo by Mike Hedge

The Realities of DIY
There’s been much discussion about the democratization of the tools but what’s really involved in taking your film from a concept to something an audience will pay to see? How can you fight your way through the clutter and what are the pitfalls to avoid when you decide to go it on your own?

Discussion Leader: Mark Stolaroff – panelists Arin Crumley, Ondi Timoner, Hunter Weeks and M dot Strange.

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Posted in BTS DIYDays animation audience biz case study deals discussion distro diy doc dvd education event festivals funds how to narrative online panel podcast producing production promotion resource sponsorship tech theatrical tools tv web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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