By Jason Hood, October 23rd, 2011

New York-based creative professionals take note! Odds are, you’re familiar with 3rd Ward, the massive workspace in Bushwick full of all sorts of resources, supplies and classes for any creative project that interests you, from woodworking to filmmaking. And if not I just told you the gist of it, so there you go.

But aside from being a great place to learn, create, and promote all sorts of great DIY projects, their newest addition now also makes it a great place to work. Dubbed a “coworking space,” it’s a modern, bright, airy office designed for collaborating as well as solo work, full of shared desks, personal workstations, conference rooms, plenty of brand new iMacs, free wifi and printing, and of course, free coffee. All of it’s designed for any smart creative freelancer, startup or telecommuter who wants to have a place to get their work done while networking with other like-minded people. You can even meet clients and have business mail delivered there.

At the heart of all of this, though, is collaboration. The nice thing about 3rd Ward is that it provides the perfect environment for creativity: step inside and you’re surrounded by people in all sorts of different crafts from all sorts of different backgrounds, and everyone has ideas flowing. A graphic designer may not realize they can get inspiration from a welder until it happens, and these sorts of things happen all the time at 3rd Ward.

And of course, we wouldn’t recommend anything unless we’ve seen and experienced it ourselves; 3rd Ward has given Workbook Project a space to shoot at least one RADAR episode, and we also partnered with them for Inside Design as well.

Learn more about the new coworking space HERE.

  • Share/Bookmark
Posted in NYC community creative collaboration cross-media diy

Jason Hood a recent graduate of the University of Texas, he once co-produced Local Live and The Austin Sessions, a radio-slash-TV show and webseries, respectively, that focused on Austin’s famous independent music scene. He’s also directed a number of 16mm short films, and had a diverse and bizarre series of paid jobs ranging from librarian to travel blogger.

RELATED
  • BTS – 10mph DIY part 5
    We hear this all the time. It’s about who you know. Most professions in life seem to benefit from networking, but in filmmaking it is… read more
  • State of the Industry
    One of the goals of the Workbook, is to create a “social open source” project that encourages content creators to share information with one another.… read more
  • DIY DAYS NYC schedule
    DIY DAYS NYC 30+ speakers 8 workshops 11 talks 2 think tanks 23 open sessions ***ALL FREE FULL PROGRAM DESCRIPTIONS COMING SOON SATURDAY APRIL 3rd… read more
By lance weiler, August 31st, 2008

This edition of TCIBR is brought to you by IndieFlix – Hunter Weeks left a cubical job to embark on a filmmaking career and within a three years has completed two documentaries and is in post on a third. One of the core elements of his strategy is to mix a DIY production and distribution approach with a variety of promotional partners. Hunter and Josh Caldwell his producing partner, have structured numerous partnerships with brands that have created funds for production, post and distribution. In our discussion Hunter shares how he crafts his sponsorship / promotional deals, why he’s bypassing the festival circuit and how his newest doc 10 yards is being released for free online prior to hitting DVD on Sept. 30th.

For more on Hunter and 10 yards visit www.10yards.com

poddown.jpg podsub.jpg digpodbutton.gif itunes.gif
To listen NOW click the play button below.

Download Adobe Flash Player.

Download Adobe Flash Player.

  • Share/Bookmark
Posted in BTS audience biz community deals digital downloads distro diy doc dvd online podcast promotion sponsorship web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
  • POLLINATE: The Film & The Roller-Coaster Ride – Part 2
    By Lisa SalemThis is the second of four posts covering the film BLACK GOLD – a social-issue driven documentary co-produced/directed by brothers Marc and Nick Francis. The film joins the dots between coffee consumption in the west and coffee production in developing countries. As I said last week, BLACK GOLD is remarkable because of the tangible social impact it has… read more
  • POV: The States of Open Content
    Content is going to become even more open in 2008… With the change in the media climate and distribution experiments such as Radiohead’s In Rainbows (in music), and Four Eyed Monsters (in film) which have open qualities (temporarily available to watch or listen/download for free, for example) but are not necessarily truly open content, it is getting harder to tell… read more
  • Discovery and Distribution in 2008
    We’ve been working on a new social experiment for the last six months and this coming Thursday it will take its first steps. From Here to Awesome is a discovery and distribution festival. The hope is that by bringing together audiences, films, promotional partners and distribution outlets, FHTA can create opportunities for filmmakers that enable them to control their… read more
By lance weiler, August 13th, 2008

pod.jpg

This edition of TCIBR is brought to you by IndieFlix – Brian Clark joins us for a discussion about filmmaking, audiences, breaking the rules and the value of going DIY. Founder of GMD studios and co-founder of indieWire, Brian has been at the forefront of the independent film scene for well over a decade. GMD studios has created digital experiments, campaigns and games that flow seamlessly between the virtual world and the real world such as Art of the Heist and Eldritch Errors.

For more on Brian visit GMD studios and indieWire

poddown.jpg podsub.jpg digpodbutton.gif itunes.gif
To listen NOW click the play button below.

Download Adobe Flash Player.

Download Adobe Flash Player.

  • Share/Bookmark
Posted in audience audio biz community cross-media crowdsourced distro diy gaming interview online panel podcast promotion remix tech vidsocial web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
By lance weiler, August 7th, 2008

Till now, as independent filmmakers (especially of non-fiction), there have always been gatekeepers between us and our audience. In the UK, they’ve been the primary broadcasting channels. For anything we made to have stood a chance of getting any decent kind of viewership – in essence, to have had any voice at all – a handful of commissioning editors and the whims of their tastes (or the format du jour of those channels) would have to have given their approval. Not only did they have veto over what gets seen, but ultimately – what gets made. And till now we’ve been left with the conundrum of making what they want us to make if we’re going to stand a chance of obtaining audience, or making what we want to make and resigning ourselves to the idea of relative obscurity.

Ultimately, this has made us ‘independent’ filmmakers passive, subservient. And what’s more, it’s totally dictated what audiences expect to see. The entire process has been mediated, and rather than being free to express ourselves, as filmmakers we have become a permission culture waiting for the acceptance of the powerful few.

Read More

  • Share/Bookmark
Posted in audience distro diy doc pollinate

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
  • POLLINATE: A Balance of Order and Chaos
    Lisa Salem reports – All systems are a balance between order and chaos – natural systems especially. Communities are systems. Audiences built on the web are communities. Understanding the natural laws of community will greatly enhance the potential of how big your audience-community can be and what it can do. It will also help you in thinking of ways… read more
  • TCIBR podcast – Ondi Timoner
    This edition of TCIBR is brought to you by IndieFlix and Breakthrough Distribution – Our guest today is Ondi Timoner writer / director of the critically acclaimed doc DiG. Ondi’s most recent film, Join US is an intimate look at cults and mind control. Over the course of the discussion Ondi was very candid about the distribution of both… read more
  • NAVIGATING THE DIGITAL DIVIDE
    The promise of unlimited choice and shelf space due to an emerging on-demand universe of content has many in the industry struggling to figure out how new media revenue should be divided. This highly contentious issue is at the center of the current WGA strike. But while the WGA and the Hollywood studios duke it out over Internet residuals, many… read more
By lance weiler, July 29th, 2008

Over the next few days we’ll be posting various videos from the DIY DAYS LA event. The day consisted of a number of keynotes (Robert Greenwald, Marshall Herskovitz), panels (Tommy Pallotta, Femke Wolting, Alex Johnson, Micki Krimmel, Mark Stolaroff, Ondi Timoner, Hunter Weeks, Saskia Wilson-Brown), case studies (M dot Strange, Arin Crumley, Lance Weiler), a series of special video presentations (Matt Hanson, Brett Gaylor, Brian Chirls, Christy Dena, Timo Vuorensola) and a conversation with director Mark Pellington.

diy days M dot Strange, Hunter Weeks and Ondi Timoner – photo by Mike Hedge

The Realities of DIY
There’s been much discussion about the democratization of the tools but what’s really involved in taking your film from a concept to something an audience will pay to see? How can you fight your way through the clutter and what are the pitfalls to avoid when you decide to go it on your own?

Discussion Leader: Mark Stolaroff – panelists Arin Crumley, Ondi Timoner, Hunter Weeks and M dot Strange.

  • Share/Bookmark
Posted in BTS DIYDays animation audience biz case study deals discussion distro diy doc dvd education event festivals funds how to narrative online panel podcast producing production promotion resource sponsorship tech theatrical tools tv web 2.0

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

RELATED
  • twitter
  • facebook
  • delicious
  • youtube
  • vimeo

Join the WorkBook Project mailing list - enter your email below...

WORKBOOK PROJECT flickr
DIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall Panel
WORKBOOK PROJECT twitter
READ

There are no events to show at this time.

Podcast Archive