By lance weiler, July 29th, 2008

Over the next few days we’ll be posting various videos from the DIY DAYS LA event. The day consisted of a number of keynotes (Robert Greenwald, Marshall Herskovitz), panels (Tommy Pallotta, Femke Wolting, Alex Johnson, Micki Krimmel, Mark Stolaroff, Ondi Timoner, Hunter Weeks, Saskia Wilson-Brown), case studies (M dot Strange, Arin Crumley, Lance Weiler), a series of special video presentations (Matt Hanson, Brett Gaylor, Brian Chirls, Christy Dena, Timo Vuorensola) and a conversation with director Mark Pellington.

diy days M dot Strange, Hunter Weeks and Ondi Timoner – photo by Mike Hedge

The Realities of DIY
There’s been much discussion about the democratization of the tools but what’s really involved in taking your film from a concept to something an audience will pay to see? How can you fight your way through the clutter and what are the pitfalls to avoid when you decide to go it on your own?

Discussion Leader: Mark Stolaroff – panelists Arin Crumley, Ondi Timoner, Hunter Weeks and M dot Strange.

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lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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By lance weiler, July 21st, 2008

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This edition of TCIBR is brought to you by IndieFlix and Breakthrough Distribution – Inventing the Movies is a new book by Scott Kirsner that details Hollywood’s epic battle between innovation and the status quo. Scott joins us for a discussion about cinema’s past, present and future. Of particular note for filmmakers is a discussion around the pull economy / attention economy and how building and maintaining audiences is going to be the future of independent filmmaking.

For more on Scott visit www.cinematech.blogspot.com

book
To buy a copy of the book:
Paperback edition
PDF/E-book edition

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Posted in animation audience audio biz deals delivery development digital downloads discovery discussion distro diy education experiment funds interview online podcast production resource tech theatrical tools

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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  • DIY list #7
    * PROJECTS Esther Robinson’s debut feature, A Walk Into the Sea: Danny Williams and the Warhol Factory is a touching and deeply personal cinematic journey. The doc centers on her Uncle Danny who was a talented filmmaker and Andy Warhol’s lover. In 1966, Danny mysteriously disappeared. The film’s subjects include Andy Warhol, Edie Sedgwick, Paul Morrissey, Brigid Berlin, Billy… read more
  • this conference is being recorded – Stephen Susco
    Our guest today is screenwriter Stephen Susco. Over the last decade Stephen has optioned many scripts, been hired to adapt various materials by major studios, and experienced first hand what it’s like to work within the system. His screen credits include The Grudge, which grossed over 110 million dollars domestically. In our discussion Stephen explains how he got his… read more
  • this conference is being recorded – Hunter Weeks
    This edition of TCIBR is brought to you by IndieFlix. – Today our guest is documentary producer and director Hunter Weeks. His most recent film, 10MPH is a documentary about his and filmmaking partner Josh Cladwell’s cross country trip. Shot over the course of a 100 days, the filmmakers travel the country via a slow moving segway scooter in… read more
By lance weiler, June 5th, 2008

This edition of TCIBR is brought to you by IndieFlix and Breakthrough Distribution – Casey Walker has turned to the internet to raise the funds for his debut feature film, FREE FOR ALL…BUT YOU!. By putting a different spin on a model that helped a college student raise a million dollars for school, Casey has found a legal way to gather funds for the film. To date he’s raised over 170,000 dollars by selling frames to the film which are then in turn rented to the production. In our discussion Casey explains how he spent a year working through the legal issues but has emerged with what he believes could be a new funding model for independent films.

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For more on the Million Dollar Movie click here

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lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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By lance weiler, May 27th, 2008

We often discuss the importance of embracing other models and schools of thought when it comes to filmmaking. Much can be learned from the music, gaming and software industries. Filmmakers are after all entrepreneurs and the following presentation at The Next Web Conference 2008 by Adeo Ressi, The Founding Member of TheFunded.com, holds some interesting insight into the venture funding world. Now most filmmakers won’t go searching for venture funding but they will possibly consider private equity to fund their work at some point. Over the course of the half hour presentation there are a number of things that could be directly applied to film financing not to mention provide a better understanding of what investors might be looking for.


Adeo Ressi at The Next Web Conference 2008 from Boris Veldhuijzen van Zanten on Vimeo.

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lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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  • BTS: Stop Motion on a Budget, Redux – part 2
    by Marc Lougee :: Digital Image Capture and why we went there From the outset, I wanted to shoot the film utilizing a high resolution source. My experience with digital capture for animation started while Animation Director on MTV’s Celebrity Deathmatch in New York, where we had used three-chip cameras built for medical operating theatres. The image resolution & color… read more
  • Indie Film Capitalism #8
    It’s been awhile! As politicians are heavily campaigning, attempting to add constituents money to their political coffers in return for “favors” or “supporting” their political agenda, there are many lessons to be learned on the fund raising front. Some of which I have done in the past and will be doing in the future. PARTIES I could cover a wall… read more
  • BTS – 10mph DIY part 4
    In my 2nd job out of college, I worked for a dotcom in the San Francisco area. It was high times and everyone was rolling. I had the privilege of sitting next to the PR person they hired and she had quite the silver tongue. I tend to absorb as much as possible, so I listened to her pitching People… read more
By lance weiler, May 13th, 2008

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This edition of TCIBR is brought to you by IndieFlix and Breakthrough Distribution – Our guest today is Ondi Timoner writer / director of the critically acclaimed doc DiG. Ondi’s most recent film, Join US is an intimate look at cults and mind control. Over the course of the discussion Ondi was very candid about the distribution of both her films and how the landscape for Docs has changed in the four years since DiG was acquired at Sundance.



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Posted in audience audio biz community deals digital downloads discovery distro diy doc dvd featureVid festivals funds interview podcast promotion resource theatrical

lance weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects

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