By Lance Weiler, August 17th, 2010

TCIBR returns with a special podcast featuring Ted Hope (21 Grams, Adventureland) and Katie Holly (producer of One Hundred Mornings ). Topics covered include creative producing, community curation, making films you’re passionate about as well as what it takes to sustain as a filmmaker in today’s changing landscape.

The WorkBook Project is proud to present One Hundred Mornings the winner of the WBP Discovery and Distribution Award. One Hundred Mornings opens Sept 16th at the Downtown Independent Theater in LA and will run for a week. Special thanks to our partners IndieFlix, Slamdance, The Downtown Independent Theater, Cinema Speakeasy, and CineFist.

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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By Lance Weiler, October 8th, 2009

In this edition of TCIBR we sit down with Kickstarter co-founder Yancey Strickler. Kickstarter is a site that enables people with creative projects to connect with those who are interested in donating funds to make them happen. From software projects like Arin Crumley’s OpenIndie to Mike Ambs’ For Thousand Miles, Kickstarter has an interesting mix of projects in search of patrons. Within a short period of time Kickstarter has generated quite a bit of buzz while also assisting a variety of projects to reach their funding goals.

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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  • this conference is being recorded – Kevin Wheatley
    This edition of TCIBR is brought to you by IndieFlix – Our guest today is writer, co-director and star of THE BEACH PARTY AT THE THRESHOLD OF HELL, Kevin Wheatley. On Oct. 19th, National Lampoon will release the film theatrically in 27 cities. Kevin discusses how he and co-director Jonny Gillette created a post apocalyptic political comedy with limited… read more
  • this conference is being recorded – Esther Robinson & Doug Block
    In this editon of “TCIBR” we are joined by two established documentary producers / directors – Esther Robinson (A Walk Into the Sea, Home Page) and Doug Block (The Heck with Hollywood, Home Page, 51 Birch Street). Today’s discussion is devoted to the art and craft of the documentary. A range of topics are covered such as; fundraising, producing,… read more
  • TCIBR – podcast Dan Goldman "Shooting War"
    This edition of TCIBR is brought to you by IndieFlix and Breakthrough Distribution – Dan Goldman is a critical acclaimed comic book artist and illustrator. His most recent project “Shooting War” went from being a free online comic to sparking a bidding war. Various major publishing and production interests battled it out for the publishing and film rights. Goldman… read more
By Lance Weiler, August 21st, 2009

DIY DAYS Philadelphia was a mix of people working in different creative disciplines and there was much talk about ways to tell stories beyond the screen. The following panel was focused on transmedia storytelling. Video of the panel will follow soon.

PANEL – EXTENDING THE EXPERIENCE With a decline in the penetration of traditional advertising due to digital technology and the emergence of an on-demand culture, studios and brands are experimenting with extending the way they reach audiences and potential customers. ARG (alternate reality games), virtualization, visualization, geo-locational services, augmented reality and mobile apps are all extending storytelling experiences. But how do you strike the balance between an industry that has come to measure itself by impressions with the value of audience engagement? Where does IP reside when authorship changes and the audience or consumer becomes creator? And is it possible to channel brand dollars into original content? MICHAEL MONELLO (Campfire Media, producer of the Blair Witch Project), BRIAN CLARK (founder of GMD Studios) and DAVID BEARD (Chief Technology Architect STM), JOHN THREAT (media threat) MODERATOR IVAN ASKWITH (Big Spaceship)

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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By Lance Weiler, July 18th, 2009

J.C. Hutchins‘ newest work entitled “Personal Effects: Dark Art” is more than just a traditional novel it is an “out of book” experience. A collaboration between St. Martin’s Press and Jordan Weisman’s company Smith & Thinker, “Personal Effects: Dark Art” is a transmedia experience which enables readers to travel beyond the written word. Packaged to look and feel like a personal notebook, the novel is accompanied by a series of artifacts such as ID cards, phone numbers, character blogs and twitter accounts. In our discussion Hutchins explains the creative process behind the novel and extended experience.

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

RELATED
  • POV: The Role of the Label in the New Digital World Order
    by Alex Afterman – Since 2003 I have run a video label called Heretic Films. I used to refer to our company as a DVD label, and sure enough DVD is what we specialized in (with occasional forays in to theatrical and television, but I always was clear with potential acquisitions that first and foremost we were a DVD company).… read more
  • How to: Making a craZy 3d animated video in less than 2 weeks
    M dot Strange reports – So I was lucky enough to be summoned to make an animated music video for one of my favorite bands “Mindless Self Indulgence” I used Cinema 4d 9.1 w/Cactus Dans tools, and After Effects 6.5. I thought I would out together a little thang documenting my work on the Mindless Self Indulgence music video… read more
  • TCIBR podcast: 2009 in tech and entertainment
    For the third year running, Scott Kirsner (Fans, Friends, & Followers, CinemaTech), Woody Benson ( Prism VentureWorks) and Lance Weiler (founder of the WorkBook Project, story architect) sat down to discuss the year in tech and entertainment. Subjects covered – the real-time web, geo locational services, emergent gameplay, transmedia storytelling, crowdfunding, augmented reality, DIY, 3D cinema investment, the impact of… read more
By Lance Weiler, May 29th, 2009

Nina Paley wants you to see her film which is exactly what most filmmakers desire. But the way in which Paley is releasing her debut feature Sita Sings the Blues is a bit different. She wants to give it to you for free via a creative commons license. In fact she is encouraging her audience to take and distribute the work and if they profit she just asks that they share some of the revenue. As Paley experiments with a free hybrid model that also includes a paying theatrical release (which was landed after her theatrical distributors saw the demand for Sita) she intends to be open and transparent about her findings. In our discussion we cover a range of topics – music clearance, copyright, how culture wants to be free, and turning your audience into distribution hubs.

Related:
Understanding Free Content

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Lance Weiler is the founder of the WorkBook Project and also a story architect of film, tv and games. He's written and directed two feature films THE LAST BROADCAST and HEAD TRAUMA. He's currently developing a number of transmedia projects.

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