Articles in pov
We’re pleased to welcome another contributor to the project – Mike Ambs. I had the pleasure of meeting Mike at SXSW last month and he along with Amanda Walker have created an interesting new project called Pedal. In his first post Mike shares some insight into the post production process and how various web 2.0 techniques can be applied with interesting results.
By Mike Ambs:: I should be upfront in saying …
For anyone who isn’t reading Brian Chirls’ blog you are missing out on a valuable resource. He’s a self professed Indie Nerd Filmmaker (Director, Distributor, Technologist) with a unique perspective on the emerging digital DIY movement. In addition to contributing to the Workbook Project he is also the Head of Theatrical for From Here to Awesome.
by Brian Chirls – Here at SXSW, I’ve met a number of cool, smart, ambitious …
We’re happy to introduce another contributor to the Workbook Project. Steve Balderson is a DIY filmmaking machine. He self funds, produces, and releases his own films. Some of the films have been shot on 35mm and others on miniDV. He’s taken his work on tour and staged his own “freakshows” in cities across the country. We’re excited to have him join the project and if you happen to live in …
by Alex Afterman – Since 2003 I have run a video label called Heretic Films. I used to refer to our company as a DVD label, and sure enough DVD is what we specialized in (with occasional forays in to theatrical and television, but I always was clear with potential acquisitions that first and foremost we were a DVD company).
Back in the old days it was easy to see …
I’d like to take a moment to introduce a new contributor to the Workbook Project. Zachary Mortensen is an accomplished producer and co-founder of production company Ghost Robot. He’s produced numerous feature films, shorts and music videos. Recently, Zachary opened a new web shop called Space Unicorn which is helping independent filmmakers to build an online presence for their films. In his first article Zachary breaks down the importance of …
Recently, I’ve found myself a bit obsessed with the concept of lifestreams. Granted the concept has been around for awhile but what I’ve found most interesting is how a lifestream could be applied to the discovery and promotion of films.
The term Lifestream is associated with creating a digital timeline of your life. They usually include blog entries that you’ve written, photos you’ve taken, text messages you’ve sent or received, bookmarks …
Content is going to become even more open in 2008… With the change in the media climate and distribution experiments such as Radiohead’s In Rainbows (in music), and Four Eyed Monsters (in film) which have open qualities (temporarily available to watch or listen/download for free, for example) but are not necessarily truly open content, it is getting harder to tell what you can and cannot officially do with your media.
These …
by Alex Afterman – Current conventional wisdom is that independent distribution is a broken system. Well guess what? Coming from someone inside the business that’s absolutely right.
There are so many more challenges and problems these days in indie distribution than when I started Heretic Films, my company, 4 years ago. First of all, the digital cinema revolution – which is, don’t get me wrong, a great thing, …
By Christy Dena –
In 1917 poet Guillaume Apollinaire gave a lecture, L’Esprit Nouveau et les Poetès, on what he described as the ‘visible and unfolded book of the future’. He wrote that creators in the future will, ‘like conductors of an orchestra of unbelievable scope,’ have at ‘their disposal the entire world, its noises and its appearances, the thought and language of man, song, dance, all the arts and all …
This edition of POV comes from Christopher Rice. He has worked professionally as a script reader and is now working on his own material. In “May the Spec be with You!”, Christopher shares some insight into the process and gives a glimpse of what a reader looks for in a spec script.
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If you have something that you’d like to share we are always on the look out for how …
By Arin Crumley (co-creator of FOUR EYED MONSTERS)
If you make art of any kind – film, music, fine art, etc… – and do it well, or even if you don’t, at some point, someone might see a way they can make money off of your creations. At this point, a deal needs to be made. I just came back from the Guadalajara Film Market where I only made one …
I’ve heard a lot of people challenging the theatrical experience – box office numbers are down from previous years, and home theater systems are only getting better. Not to mention all the competition for viewers attention thanks to a 500+ channel universe, broadband and a shrinking amount of free time. Don’t get me wrong, I believe that people still want that communal experience that a theatrical film can provide. …
Film is all about collaboration. Filmmakers are starting to engage in new ways with their audience, that’s plain to see with the projects the Workbook project is covering.
The Internet allows us to take this collaboration further, into the realms of crowdsourcing. This is an emerging area that we’re pushing the edges of with A Swarm of Angels, a participative film. As we just made Number 1 …
