By Lance Weiler, April 30th, 2010

Jeff Gomez and his company Starlight Runner Entertainment are leaders in the transmedia space. Jeff was instrumental in helping to establish a transmedia producer credit with the PGA (Producers Guild of America). During his talk at DIYDays NYC he gave a heartfelt presentation about his own background and what lead him to transmedia storytelling.

Growing up in the projects of Manhattan’s Lower East Side, Jeff Gomez dreamed of fantastic realms full of strange creatures, amazing heroes and high adventure. Today, as the President and CEO of Starlight Runner Entertainment, Jeff engages audiences around the world by producing spectacular transmedia storylines for Disney, 20th Century Fox, Hasbro, Microsoft and Coca-Cola. DIY Days invites you to hear Jeff tell his remarkable tale, and learn about a vanguard form of writing, creative development and production that is taking the entertainment and advertising worlds by storm.

For more on Jeff
twitter @Jeff_Gomez
Starlight Runner

Special thanks to Raffi Asdourian and his team for all the help with documenting the event

  • Share/Bookmark

Posted in DIYDays biz dev event transmedia
  • RADAR NYC 9.2.10
  • DIY DAYS – the Realities of DIY – panel video
    Over the next few days we’ll be posting various videos from the DIY DAYS LA event. The day consisted of a number of keynotes (Robert… read more
  • Thank you
    Thanks to all the volunteers, speakers and attendees who helped to make DIY DAYS Philadelphia such a success. Close to 300 people attended the day… read more
By Lance Weiler, April 25th, 2010

This week we’ll be rolling out more of the vids from DIYDays NYC. In the following talk Brian Newman (former CEO of Tribecca Film Institute and founder of SpringBoard Media) gives a talk on innovation within the media space. The following is from the program.


The future of media is being invented today, but it is increasingly being defined by the terms of the old models for media production and consumption. This is for the worse, because instead of a new era of innovation we are in danger of a new era of sameness. The future of media is not just about new distribution models and building a fancy new TV that can show 3D, pull down an endless library of content and let us chat with our neighbor about which products to buy. This is precisely what passes for visionary by those controlling the future of media now, and unless media artists take an active role in creating the future, that may be the best we get. What would true innovation look like and what are the historical models we can turn to for innovative thinking about the future of the field?

Slides from Brian’s presentation

For more on Brian Newman

Special thanks to Raffi Asdourian and his team for all the help with documenting the event

  • Share/Bookmark

Posted in DIYDays NYC biz dev event vid
  • SXSW: What ARG Makers Can Learn from UI Designers
    Image courtesy of John Mark Josling My visit to South by Southwest Interactive took me to a lot of talks on Transmedia – a term, by the way, that was the most overused and under-understood of the conference (Felicia Day even went on a particularly apt rant about it on Monday). Most of the “Transmedia” panels just didn’t seem to… read more
    We’re excited to be a partner of the upcoming Open Video Conference. The conference takes place June 19th and 20th at the NYU Law School. What makes OVC a must attend event is the combination of tech, creativity and policy issues that will be addressed during the two day conference. Full details after the jump. Open Video Conference, June… read more
  • DIY DAYS video: The Art & Science of Crowdsourcing
    There is power in the crowd. When they rise up they can fund, create, distribute and promote. But how do you turn an audience into an active community where members become collaborators? Panelists: Slava Rubin (indieGoGo), Skot Leach (Lost Zombie), Jason Harris (Mekanism), Bryan Kennedy (, Blair Erickson (Millions of Us) Discussion Leader: Lance Weiler
By Kieran Masterton, April 8th, 2010

Some time shortly after Sundance ‘10 we were fortunate enough to be asked by Mr Lance Weiler of the Workbook Project, Head Trauma and many other notable projects to take part in the DIY DAYS NYC Startup Incubator.

DIY DAYS is a roving series of conferences for those who create and it’s part of the WorkBook Project an open resource created by Lance to support the community. The purpose of the incubator was to subject OpenIndie to the scrutiny of a room full of experts in various fields relevant to our business and what we’re trying to do. During a four hour process the group discusses various salient issues and then produce a presentation or pitch to be delivered to the conference attendees at the end of the day. Arin and I jumped at the chance to put OpenIndie under the nose of such respected folks in the industry for such a concentrated amount of time and the process began.

In the week leading up to the conference neither of us knew exactly what to expect but Lance kindly set up a Skype call with Matt Johnston of Kinetic Fin who was our Entrepreneur In Residence and facilitated the conversation on the day. He immediately set Arin and I at ease and got us really excited about the potential for the day. In just a one hour conversation Matt equipped us with a shared metaphor for how to think about what we were trying to achieve, drew out of us some key issues we wanted to address and gave us really valuable feedback about the challenges that he felt were ahead of us.

As I am based in the UK I Skyped into the conference on the day. I initially thought this would be fine as Arin and I are used to Skyping all our conversations. However, as the day went on the Skype situation became increasingly frustrating from my point of view. While I felt I had a great deal to contribute to the conversation the Skype lag caused me to start talking and discover I was interrupting someone. I also got the impression that the folks in the incubator found it hard to understand what I was saying due to the distortion. As a result of these issues I didn’t personally feel like I was as useful as I could have been and this was really frustrating. However, that shouldn’t reflect negatively in any way upon either the folks taking part in the incubator or the people organising DIY DAYS, it was something that always had the potential to be a problem.

The day began with Matt laying out the format for how we’d proceed and everyone introducing themselves. Our group of experts was made up of:

Matt Johnston – Entrepreneur In Residence (COO at Kinetic Fin)

Karol Martesko – Film Industry Expert (SVP / General Manager at Babelgum Film)

Brian Newman – Business Development (Founder at Sub-Genre and former CEO of Tribeca Film Institute)

Joseph Williams – Design

Bradley Farrell – Branding (CEO at Kinetic Fin)

Karin Chien – Producer / Distributor (The Exploding Girl (2009))

I’m sure you’ll agree this is a formidable team of experts and I for one was really nervous about the potential feedback they were going to have about OpenIndie. I can say, again from my perspective, that the feedback and discussion was incredibly constructive and while the process could have turned into a group of industry experts picking holes in a new platform that didn’t happen at all. This was partly down to the fantastic people Lance and his team had found to help us but also because whenever someone criticised it was always constructive. Nobody said “this sucks” or “you’re kidding yourselves” arguments were reasoned and based on years of experience.

In short, the group’s feedback was incredible and I would go as far as to say that the process has been totally transformative for OpenIndie. Some key takeaways from the day were that we need to improve our messaging, we’re not yet effectively explaining, clearly and concisely, what it is we do and how we do it. Our filmmaker bias was also very evident. This, in some respects, is natural because Arin is a filmmaker and our source of financial support has come from filmmakers. However, we need to reorientate the business to focus upon to the audience requesting films and the hosts organising screenings. This isn’t to say that the filmmakers aren’t vitally important but the focus upon generating an audience and screenings will benefit the filmmakers most in the long-term.

We were also challenged about our $100 per film per year fee and some good discussions came out of the suggestion to open the site to all for free or to curate the films on the site. Right now that $100 a year is our only source of revenue and is paying our hosting costs etc. However, all three options are still on the table and you will know as soon as we do about how we plan to proceed. The decision we make on this topic will depend greatly upon the level of success we have in the search for investment.

The day ended with Arin giving a fantastic presentation that Matt and Joseph helped us put together. It was impressive to see how Matt took the salient points from our discussions and drew them together with us into a presentation that was incredibly successful. At one point Arin had the whole audience on their feet shouting “I’M AS MAD AS HELL AND I’M NOT GOING TO TAKE IT ANYMORE” a phrase made famous by the 1976 film Network and repurposed by us in our fundraising campaign in November last year.

Upon reflection, I think the day broke us down and built us up again. It drew out of us our biases that were clearly holding us back in many respects. It made us rethink our business model and reevaluate the decisions we’d made. It enabled us to compare OpenIndie to businesses that we would never have drawn comparison with previously. And, it brought to our attention an entire world of potential competitors that we hadn’t considered in our planning. I think the term transformative is very apt, we aren’t the OpenIndie that went into the DIY DAYS Incubator. We’re more knowledgeable, refocused and have a better understanding of our priorities moving forward.

We would like to thank Lance for this incredible opportunity and his entire team at DIY DAYS NYC for volunteering and making this vitally important event possible. Finally, we would like to thank Matt, Brad, Karol, Brian, Joseph and Karin for your time, your knowledge, your support and your incredibly constructive criticism. We’re very fortunate to have been afforded this opportunity.

We’re seriously excited about the future of OpenIndie and the potential for this platform. We hope you guys are too!

Kieran Masterton

OpenIndie Co-Founder

Photo credit: Raffi Asdourian“Packed Audience for Openindie”

  • Share/Bookmark

Posted in DIYDays NYC biz dev incubator news
  • PULSE – Heeb Magazine
    (above comic strip by Evan Dorkin) Happy Hanukkah! And what better week to celebrate Jewish New Yorkers by showcasing Heeb Magazine? Started in Brooklyn (where… read more
  • IFP labs
    The IFP has announced the projects for the 2008 Narrative lab and for the first time one of the films will win a $50,000 finishing… read more
  • PULSE – Shelley Jackson’s “Skin”
    In August of 2003, Shelley Jackson began a new project, simply dubbed “Skin”. This project in particular took what we consider to be “literature” to… read more
By Lance Weiler, April 7th, 2010

Ted Hope, co-founder of This is that & Good Machine, has produced close to sixty films, including three Sundance Grand Prize winners and the first features of Alan Ball, Todd Field, Michel Gondry, Nicole Holofcener, and Ang Lee. A strong supporter of a truly free film movement Ted believes that– due to the democratization of the tools which enable & spread creative expression — a self-supporting artistic middle class is now establishing itself. But in order for all those who are creating to also sustain, we must be as rigorous in thought & action towards the creation of an independent infrastructure. Are you up for the challenge?

Lance Weiler intros DIY DAYS NYC and Ted Hope. Ted comes in at 5 minutes in.

*Special thanks to @zaffi and his team for covering DIY DAYS NYC

  • Share/Bookmark

Posted in DIYDays NYC event vid
  • RADAR NYC 11.12.10
    WATCH Auto-Tune the News: Rent Too Damn High! Song Well the greats of Auto-Tune the News (RADAR Ep.27 – ATTN) have done it again. They have used the evils of auto-tune for good! How you ask? Well they took the already comical Jimmy McMillan and made a musical number out of his speeches during the Gubernatorial debates. It’s hard not… read more
  • A Return To Storytelling Fundamentals
    I have had several conversations with fellow filmmakers in the last six months around the idea that most American independent films are severely underdeveloped and suffer from extensive pacing issues. After making an honest appraisal of my own work, I have turned my focus from issues of discovery and distribution to that of creative development (and financing). It’s my humble… read more
  • Speaker Highlight: Noah Harlan
    Noah is an Emmy Award-winning filmmaker, producer and co-founder of 2.1 Films (film & media) and Two Bulls (mobile apps & mixed reality). His features have premiered at Cannes, Berlin, Venice, and Rome. He has produced branded projects for TV and the web for MTV, CSTV, Chevrolet, Ford, Lincoln-Mercury, Southwest Airlines and Audi. Two Bulls develops & produces apps for… read more
  • twitter
  • facebook
  • delicious
  • youtube
  • vimeo


Join the WorkBook Project mailing list - enter your email below...

DIYDays flickr
DIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall PanelDIY Days Philly 2009: Town Hall Panel
DIYDays twitter

There are no events to show at this time.

Powered by Lifestream.

Podcast Archive